Test setup and explanation measurements
Contents
The test setup for measuring speaker cables is largely the same as that of the interlink test. For example, the LCR measurements are similar in setup AND the response measurements and bottom plots are also largely similar, except for the termination impedances. These are 0.3 Ohms on the output (output impedance of the power amplifier) and 8 Ohms on the input (the average speaker has a nominal impedance of 8 Ohms).
You can read about our insertion, explanation and methodology in the article on rca interconnects.
Something different
However, there are a few things we did and had to do differently. It is not possible nor useful to send a 2ns pulse through a loudspeaker cable with the right terminating impedances. 0.3 Ohm on our pulse generator is not possible: there is nothing left of the pulse. So we had to set that up a little differently. It also shows that with such low output impedances and relatively low input impedances, not much remains of such signals anyway.
Now that pulse test is mainly about propagation time and propagation variation. However, it is unfortunate that we cannot measure spectral decay anymore. This turned out to be very interesting in the interlink test. We are going to see how we might be able to do that again differently in order to make this work.
On a speaker
We also did some – electrical! – response measurements on a real speaker. This is much more interesting than on a dummy, since all speaker cables measure perfectly on a dummy, because it is non-inductive and has a dead straight response by itself. A speaker in the real world is not like that. In short: it is much more interesting to use a real speaker.
Also, the speaker forms a circuit with the amplifier – in this case a Bryston PowerPac 300 (damping factor of 500 at 20 Hz) and that makes that there is interaction between the two. How an amplifier reacts to a speaker has to do with, among other things, the damping factor of the amplifier and the impedance variations of the speaker. Remember, however, that the speaker cable is part of this circuit. So we are measuring the entire circuit in this setup.

Now it is important to realize that these measurements will not be a flat line. The speaker is not straight (we are NOT measuring the acoustic response, but the electrical response!) AND the interaction of the amplifier and speaker is also influenced by the impedance and other properties of the cable.
The main thing to look at, is the difference between the speaker cables. You can clearly see in the overviews that each cable has a certain signature. The differences in response are often subtle (with a few exceptions), but noticeable and audible (our opinion).
Phase?

We also compared some speaker cables in terms of phase. To do this, we output a 500 KHz tone via the Rigol function generator on output 1 and 2. The output phase was exactly equalized (with a simple push of a button, what a great option that is!). The output impedance of the generator is 1 Ohm. On the input of the Tektronics scope, we put 8 Ohms.
We can see on the scope that some cables are almost identical, but others clearly show a shift (phase shift).
How this can be linked to propagation time and variation is a good question. That requires more research. Also, we would find it interesting to see how this varies by frequency. Unfortunately, time did not permit that; we have been testing cables for several months now. We have to draw a line somewhere. Perhaps we will pick that up again later.
Noise
Another element we looked at is how much noise the speaker cable picks up. After all: we don’t want noise, right? And every manufacturer gives it their own twist (pun intended).
We measure noise the same way we measure interlinks. So with a connection between the function generator and the scope, without putting a signal active. You are now basically simulating a system that’s sitting idle. We didn’t send a sine wave through it this time, because we end up seeing the most in the pattern without any signal running through the cable anyway.
What we have noticed is that the ‘silence’ is audible in the listening tests and mostly visible in the green line (the actual signal). The blue ‘blur’ doesn’t really appear to be audible…. Probably because it is too random and is so low in level that it is no longer audible to us. At least not in our test system.

















Hi team,
This is quite an amazing project that you have done.
I am trying to use this information to help my selection decision making on some new cables. My conclusion is that the Audiomica ones which you tested seem to be the best value in terms of price vs your feedback about their sound. And from the qualitative feedback it seems like those cables would play well with most systems. Is this a correct conclusion to draw from the testing?
I understand that I would probably want to try the cables out on my system to make sure that they fit with the sound that I like.
I am relatively new to hi-fi so I apologise if this is a question that is a philosophically wrong way to think about things.
I wonder, if the impedance of the cables would not provide a more significant perspective instead of individual values of R, C and L ?
Hey Jaap, that is a really nice test with lots of information, thanks for that! Would it be possible to have it all into one table for a good overview, instead having to scroll through the individual pages? May be too much to ask 🙂
Keep up the awesome work!
Standard cable of 2.5mm2… I am using 16mm2 “standard wire”, 3m long. Very low resistance. That ticks one box. I guess I can theoretically calculate the inductance and capacitance. Wonder if these are of significant consequence at 20kHz. Maybe I can twist the cable to reduce the inductance if it has some impact.
This is beyond – need to study it – not just read, to understand.
Thanks for including the “peasant” installation cable AudioQuest 14/4 – I use the more expensive version XTRM 14/4. My question is – how did you terminate the cable and in what configuration? I have it terminated with nakamichi bananas and connected in a star-quad configuration.
Martin
And, just like that, Alpha-Audio shoots to the top of the audio reviewer heap! The GOAT of tests and shoot-outs. Well done kind sirs, that was an impressive and Herculean effort!
Thanks,
Eric